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Juliette Binoche ((:ʒyljɛt binɔʃ); born 9 March 1964) is a French actress, artist and dancer. She has appeared in more than 40 feature films, been recipient of numerous international awards, and has appeared on stage and in movies across the world. Coming from an artistic background, she began taking acting lessons during adolescence. After performing in several stage productions, she began acting in films by auteur directors Jean-Luc Godard (''Hail Mary'', 1985), Jacques Doillon (''Family Life'', 1985) and André Téchiné, who made her a star in France with the leading role in his 1985 drama ''Rendez-vous''. Her sensual performance in her English-language debut ''The Unbearable Lightness of Being'' (1988), directed by Philip Kaufman, launched her international career. She sparked the interest of Steven Spielberg, who offered her several parts including a role in ''Jurassic Park'' which she declined, choosing instead to join Krzysztof Kieślowski in ''Three Colors: Blue'' (1993), a performance for which she won the Venice Film Festival Award for Best Actress and a César. Three years later Binoche gained further acclaim in Anthony Minghella's ''The English Patient'' (1996), for which she was awarded an Academy Award and a BAFTA for Best Supporting Actress in addition to the Best Actress Award at the 1997 Berlin International Film Festival. For her performance in Lasse Hallström's romantic comedy ''Chocolat'' (2000), Binoche was nominated for an Academy Award for Best Actress. During the 2000s she maintained a successful career, alternating between French and English language roles in both mainstream and art-house productions. In 2010, she won the Best Actress Award at the Cannes Film Festival for her role in Abbas Kiarostami's ''Certified Copy'' making her the first actress to win the European "Best Actress Triple Crown" (for winning best actress award at the Berlin, Cannes and Venice film festivals). Throughout her career Binoche has intermittently appeared on stage, most notably in a 1998 London production of Luigi Pirandello's ''Naked'' and in a 2000 production of Harold Pinter's ''Betrayal'' on Broadway for which she was nominated for a Tony Award. In 2008 she began a world tour with a modern dance production ''in-i'' devised in collaboration with Akram Khan. Often referred to as ''"La Binoche"''〔(Thompson's Biographical Dictionary of film. No. 22 ), Thompson, David; The Guardian, 31 July 2007. Retrieved 18 April 2011〕 by the press, her other notable performances include: ''Mauvais Sang'' (1986), ''Les Amants du Pont-Neuf'' (1991), ''Damage'' (1992), ''The Horseman on the Roof'' (1995), ''Code Unknown'' (2000), ''Caché'' (2005), ''Breaking and Entering'' (2006), ''Flight of the Red Balloon'' (2007) and ''Camille Claudel 1915'' (2013). ==Early life== Binoche was born in Paris, the daughter of Jean-Marie Binoche, a director, actor, and sculptor, and Monique Yvette Stalens, a teacher, director, and actress.〔(Juliette Binoche Biography ) Filmreference.com. Retrieved 18 April 2011〕 Her father, who is French, also has one eighth Portuguese-Brazilian ancestry; he was raised partly in Morocco by his French-born parents.〔(Juliette Binoche, 'Breaking and Entering' ), Debruge, Peter; Variety, 12 December 2006. Retrieved 18 April 2011〕 Juliette's mother was born in Częstochowa, Poland. Binoche's maternal grandfather, Andre Stalens, was born in Poland, of Belgian (Walloon) and French descent, and Binoche's maternal grandmother, Julia Helena Młynarczyk, was of Polish origin. Both of them were actors who were born in Częstochowa; they were imprisoned at Auschwitz, because they were considered to be intellectuals by the German Nazi occupiers.〔〔(Juliette Binoche: Femme Fatale ), Groskop, Viv; The Daily Telegraph (London), 1 September 2007. Retrieved 18 April 2011〕 When Binoche's parents divorced in 1968, four-year-old Binoche and her sister Marion were sent to a provincial boarding school.〔Inside the Actors Studio; Lipton, James; 27 October 2002; season 9, episode 2〕 During their teens, the Binoche sisters spent their school holidays with their maternal grandmother, not seeing either parent for months at a time. Binoche has stated that this perceived parental abandonment had a profound effect on her.〔(Imagine...: Dangerous Liaisons, When Akram met Juliette ); Yentob, Alan; 14 October 2008. Retrieved 18 April 2011〕 She was not particularly academic〔L'Année Juliette; Première, September 1995; iss 222, p 83; (French language)〕 and in her teenage years she began acting at school in amateur stage productions. At 17, she directed and starred in a student production of the Eugène Ionesco play, ''Exit the King''. She studied acting at the ''Conservatoire National Supérieur d'Art Dramatique'' (CNSAD), but quit after a short time as she disliked the curriculum.〔 In the early 1980s, she found an agent through a friend and joined a theater troupe with which she toured France, Belgium and Switzerland under the pseudonym "Juliette Adrienne".〔The Sunshine Girls; Bignell, Darren; Empire, March 1997; iss 94, p 63〕 Around this time she began lessons with acting coach Vera Gregh.〔(Juliette Binoche Biography ) Britannica Online Encyclopedia. Retrieved 18 April 2011〕 Her first professional screen experience was as an extra in the three part TF1 television series ''Dorothée, danseuse de corde'' (1983) directed by Jacques Fensten, which was followed by a similarly small role in the provincial television film ''Fort bloque'' directed by Pierrick Guinnard. Following this Binoche secured her first feature film appearance with a minor role in Pascal Kané's ''Liberty Belle'' (1983). Her role required just two days on set, but was enough to inspire Binoche to pursue a career in film.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Juliette Binoche」の詳細全文を読む スポンサード リンク
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